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From the Introduction
Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete.
It is a beauty of things modest and humble.
It is a beauty of things unconventional.
The immediate catalyst for this book was a widely publicized tea event in Japan. The Japanese aesthetic of wabi-sabi has long been associated with the tea ceremony, and this event promised to be a profound wabi-sabi experience. Hiroshi Teshigahara, the hereditary iemoto (grand master) of the Sogetsu school of flower arranging, had commissioned three of Japan's most famous and fashionable architects to design and build their conceptions of ceremonial tea-drinking environments. Teshigahara in addition would provide a fourth design. After a three-plus-hour train and bus ride from my office in Tokyo, I arrived at the event site, the grounds of an old imperial summer residence. To my dismay I found a celebration of gorgeousness, grandeur, and elegant play, but hardly a trace of wabi-sabi. One slick tea hut, ostensibly made of paper, looked and smelled like a big white plastic umbrella. Adjacent was a structure made of glass, steel, and wood that had all the intimacy of a highrise office building. The one tea house that approached the wabi-sabi qualities I had anticipated, upon closer inspection, was fussed up with gratuitous post- modern appendages. It suddenly dawned on me that wabi-sabi, once the preeminent high-culture Japanese aesthetic and the acknowledged centerpiece of tea, was becoming-had become?-an endangered species.
Admittedly, the beauty of wabi-sabi is not to everyone's liking. But I believe it is in everyone's interest to prevent wabi-sabi from disappearing altogether. Diversity of the cultural ecology is a desirable state of affairs, especially in opposition to the accelerating trend toward the uniform digitalization of all sensory experience, wherein an electronic "reader" stands between experience and observation, and all manifestation is encoded identically.
In Japan, however, unlike Europe and to a lesser extent America, precious little material culture has been saved. So in Japan, saving a universe of beauty from extinction means, at this late date, not merely preserving particul
- Sales Rank: #486149 in Books
- Brand: Brand: Stone Bridge Press
- Published on: 1994-07-01
- Original language: English
- Number of items: 1
- Dimensions: .41" h x 5.61" w x 8.46" l,
- Binding: Paperback
- 96 pages
- Used Book in Good Condition
Review
"Perfectly conveys the Zen simplicity and stillness." -NAPRA Review -- NAPRA Review
"Perfectly conveys the Zen simplicity and stillness." -NAPRA Review -- Review
From the Author
See also Wabi-Sabi: Further Thoughts.
About the Author
Leonard Koren, who was trained as an artist and architect, is a design and aesthetics theorist. Among his most popular books are WABI SABI: For Artists, Design, Poets & Philosophers and Arranging Things: A Rhetoric of Object Placement.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Wabi sabi tells us to stop our preoccupation with success and enjoy the unencumbered life.
By taylor storey
I love short books that are meaningful. This book I read in a couple hours and the message is so peaceful and life giving.
Wabi Sabi is a term that comes from two Japanese words mashed together and it is rarely defined, indeed it kind of avoids being defined. The author says Japanese people know the feeling but not the definition. This was indeed my experience in Tokyo as I asked my friend to guide me to things that connected with Wabi Sabi culture.
There are black and white photos on almost every other page of this book, of various things that convey the Wabi Sabi idea. The book spends a few pages on conveying the definition or more accurately, the feeling of Wabi Sabi, it gives a bit of history, then outlines the "Wabi Sabi Universe" which includes the following headings:
Metaphysical Basis
Spiritual Values
State of mind
Moral Precepts
Material Qualities
Wabi Sabi is the opposite of the Rat Race. It reminds me of Jesus' Sermon on the Mount or the struggle against nature. It values simplicity and perhaps above all the process of nature. Thoreau and Emerson would approve.
Some quotes:
"Get rid of all that is unnecessary"
"Wabi sabi tells us to stop our preoccupation with success--wealth, status, power, and luxury--and enjoy the unencumbered life."
"Things wabi sabi have no need for the reassurance of status or the validation of market culture."
11 of 12 people found the following review helpful.
Please Buy This If You're A Perfectionist.
By Graehound
A solid reminder that exactly what you're trying to create--in whatever manner--will not be complete until something about that process or result is imperfect. And that the true beauty is not only in that imperfection, but your acceptance of it.
I highly recommend this book for anyone who, like me, is a rigid Type A with difficulty acknowledging (let alone accepting!) that the standard Earth day is 24 hours instead of 62 and sometimes failures are our greatest successes. While not directly instructing you on the specific creation of imperfections within your own work, this book will make you uncomfortable in the most gently reassuring way while you look for the reasons for those flaws and examine the moments of personal growth they allow you and whoever may view or experience what you make secondhand.
2 of 2 people found the following review helpful.
I am crazy about this book. Or maybe I'm just crazy but this is a wonderful book – small but potent and an essential purchase.
By Hanbledzoiner
As the title says, this is a book for artists poets philosophers and designers. The very beginning made me double over in laughter, but what follows is as profound as it is silly. A celebration of the imperfect, the incomplete and the unworthy. It is said that God does not love us for our perfections but for our occlusions. Reading this book I would say that those who practice Wabi Sabi know exactly what that means.And at first I thought the book would be about that green mustard they serve with sushi. It's much more profound than that, and was just what I needed to hit the spot.
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