Selasa, 13 Maret 2012

[T699.Ebook] Free PDF 475 Tax Deductions for Businesses and Self-Employed Individuals: An A-to-Z Guide to Hundreds of Tax Write-Offs, by Bernard B. Kamoroff C.P

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475 Tax Deductions for Businesses and Self-Employed Individuals: An A-to-Z Guide to Hundreds of Tax Write-Offs, by Bernard B. Kamoroff C.P

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Updated to include recent changes in tax law!

Are you paying more taxes than you have to? The IRS is certainly not going to tell you about a deduction you failed to take, and your accountant is not likely to take the time to ask you about every deduction you’re entitled to. As former IRS Commissioner Mark Everson admitted, “If you don’t claim it, you don’t get it. That’s money down the drain for millions of Americans.” This invaluable book, updated to reflect changes in tax law, not only lists the individual items that are deductible—from Internet domain name costs to theft losses—but also explains where to list them on your income tax form. “Tax law isn’t easy,” the author explains, “but this book is.”


  • Sales Rank: #28694 in Books
  • Published on: 2013-02-16
  • Released on: 2013-02-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .54" w x 7.04" l, .95 pounds
  • Binding: Paperback
  • 224 pages

Review
PRAISE FOR A PREVIOUS EDITION
This A-to-Z guide to hundreds of legitimate write-offs is like found money for business owners.
(Deborah L. Jacobs, Syndicated Columnist Working Life)

PRAISE FOR A PREVIOUS EDITION
Packed with hundreds of tax tips you and your accountant probably never heard of. A terrific book. (Jane Applegate, Syndicated Columnist Small Business)

PRAISE FOR A PREVIOUS EDITION
A great tax deduction resource.

About the Author
Bernard B. Kamoroff is a C.P.A. with 30 years of experience specializing in small business. A University of California lecturer, he is the author of five books on business and taxes. He lives in Willits, California.

Most helpful customer reviews

14 of 14 people found the following review helpful.
not updated for some 2013 tax year items
By California
After completing an electronic tax software program for my small business, and before hitting the "send" button, I wanted to be sure not to miss any deductions before filing. This book is an easy one hour read, with some humor, but does not add much to what the software program had. The first 26 pages of narrative were somewhat helpful, but the "475 tax deductions" section were just very brief summaries of what my tax software already offered. The home office mention did not include the latest IRS simplified home office deduction at all.

18 of 21 people found the following review helpful.
Clearly-presented information, and well-written
By Earache
But there was not nearly enough pertaining to we quarterly-tax filers. Many of us don't have employees, so how about including tax tips for single-member LLC, quarterly-filing entrepreneurs (read: dog walkers) ?

4 of 4 people found the following review helpful.
Becoming ever more an invaluable resource...
By Joshua Jordan
I stumbled upon this book soon after I started my consulting business and I'm glad that I did. Had I not read this book, I would have lost thousands of dollars that are otherwise completely legal to claim - the IRS merely doesn't go shouting the deductions you might be entitled to; you have to research them. This book has helped me as an LLC, but it takes into account the major types of business entities and differentiates which can deduct what (Sole Proprietorship, LLC/LLP, C Corporation, & S Corporation).

If all of this sounds daunting to someone considering entering into business for themselves, this book gives sound advice as to how to protect yourself if an audit does come your way - the book simply does not advocate anything illegal; the tax deductions/credits are there for a reason & you should use them to their fullest extent.

Why I think this book will become ever more important (?). I think it will because this is the new economy that Americans are forced to operate within. If they cannot find full time employment, but can find a reasonable part-time position (or two), they can also mobilize their skill set as a business and offset their tax burden significantly. The IRS only requires that one show intent to make profit for a business to be valid and for appropriate deductions to count. If the American people can sever their liability into a company that operates in the red and have the option for pass through taxation (taxed only once; not two entities) on their income tax, then they can substantially reduce their tax obligations through their small business. This could turn a part-time salary of say $20k net into something more akin to $24-26K net, depending on the deductions one takes.

At minimum, the IRS expects start-ups to operate in the red for the first 3-5 years; this is why the LLC (among other reasons) has become so popular in the past 5-10 years. Even the middle-class that retains respectably high wages can reduce their tax burden, depending on what they are willing to capitalize their LLC with. A new car can be purchased by an LLC and amortized over a period of years; a home office space can be deducted from one's mortgage based on the relative amount of square footage it takes up within one's home; even books and magazines can be deducted in some instances. There is just so much money the government allows as deductions that can and will (as people learn) be used to reduce peoples' taxable incomes. This book explains a lot of those deductions in thorough detail and can help tremendously, particularly for the underemployed who have marketable skills that they can generate at least some profit from (and everybody has something they can do that another cannot).

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475 Tax Deductions for Businesses and Self-Employed Individuals: An A-to-Z Guide to Hundreds of Tax Write-Offs, by Bernard B. Kamoroff C.P PDF
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Kamis, 08 Maret 2012

[Q796.Ebook] Ebook Stem Cells: From Basic Research to Therapy, Volume Two: Tissue Homeostasis and Regeneration during Adulthood, Applications, Legislation and

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Stem Cells: From Basic Research to Therapy, Volume Two: Tissue Homeostasis and Regeneration during Adulthood, Applications, Legislation and

The second volume in the Stem Cells series concentrates on the mechanisms of stem cell regeneration in the adult organism with a view towards understanding how lost tissue can be replaced during adulthood and aging. The second focus of this volume is on stem cell identification and manipulation, including applications in basic research, medicine, and industry. The book closes with an outlook on generalized approaches that can be used to solve legislative and ethical challenges.

  • Sales Rank: #818544 in Books
  • Published on: 2014-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.20" w x 6.10" l, .0 pounds
  • Binding: Hardcover
  • 474 pages

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Selasa, 06 Maret 2012

[D687.Ebook] PDF Ebook , by Albert Ellis Reason and Emotion in Psychotherapy : A New and Comprehensive Method of Treating Human Disturbances [Paperback]From Cita

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  • Published on: 1960-01-16
  • Binding: Paperback

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Senin, 05 Maret 2012

[C309.Ebook] Ebook Download Behind Closed Doors: Secrets of Great Management (Pragmatic Programmers), by Johanna Rothman, Esther Derby

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Great management is difficult to see as it occurs. It's possible to see the results of great management, but it's not easy to see how managers achieve those results. Great management happens in one-on-one meetings and with other managers---all in private. It's hard to learn management by example when you can't see it.

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  • Sales Rank: #465495 in Books
  • Published on: 2005-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .58" w x 6.00" l, .70 pounds
  • Binding: Paperback
  • 176 pages

Review

"Rothman and Derby bring a clarity and honesty to the craft of software-development management that I haven’t felt since first reading Demarco and Lister’s classic, Peopleware. Their story-based teaching style is engaging, and the tips contained provide a valuable reference for those who find themselves in the world of management."

—Bil Kleb, Research Scientist, NASA

"Five Star Review: All the great stuff is here… Easy to read and understand."

—Robert Pritchett, macCompanion

About the Author
Johanna Rothman helps leaders solve problems and seize opportunities. She consults, speaks, and writes on managing high-technology product development. She enables managers, teams, and organizations to become more effective by applying her pragmatic approaches to the issues of project management, risk management, and people management. Johanna publishes The Pragmatic Manager, a monthly email newsletter and podcast, and writes two blogs: Managing Product Development and Hiring Technical People. She is the author of several books: - Manage It! Your Guide to Modern, Pragmatic Project Management - Behind Closed Doors: Secrets of Great Management (with Esther Derby) - Hiring the Best Knowledge Workers, Techies & Nerds: The Secrets and Science of Hiring Technical People - Corrective Action for the Software Industry (with Denise Robitaille).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very solid advice but cheesy, somewhat unrelatable example narrative
By Aaron Gibralter
All the advice in this book is spot on or close. I just found that the made-up, example story the authors used to describe management in action was pretty boring to read through. Also, I've been working at startups my whole career, and this book focuses on a world I thought no longer exists. It sounds like the 80s... Who has an office these days? Or has a phone line? And delivers software on a multi month cadence?

9 of 9 people found the following review helpful.
Practical, ultra clear, and covers the basics!!
By Mr. Mark S. Jones
I have 25 years of IS experience - some as a developer or analyst and some as an IS manager and certainly when I started out as a manager, this book would have been invaluable!!

Perhaps my only issue is glossing over some of the gnarlier situations I believe most IS managers have to confront eventually - for instance what happens when you give negative feedback and the person doesn't relate in any way what you're telling them or perhaps agrees but thinks the issue is unimportant? To me the easy case is when you give feedback and the person agrees or at least comes up with some cogent reasons why they think I'm wrong. At this point I know the person thinks I'm the pointy haired manager and I'm totally certain I'm not the only manager that experienced this. The book says such a person will "not change" - no kidding but where do you go from here?

I actually have a longer list than this - but the point is I think there are a lot of real and challenging situations especially for IT and technical management not covered. OTOH, the suggestions the book does comes up with are mostly excellent well explained and easy to implement and I think anyone with any level of management experience will pick up priceless suggestions from this book - and I'm usually extremely cynical about new management methodologies!!

Maybe a later more intermediate/advanced book will cover some of the more difficult situations? If there's a website, blog, set of seminars etc available I'd be interested in hearing about it!!

26 of 40 people found the following review helpful.
This is management?
By A reader in Denver
My background is development team lead/architect for that past several years and my review comes from this perspective. I put this book down half way through not sure if it was worth finishing even as short as it is. I finally picked it up and finished it tonight and my opinion of it didn't change.

This book contains some truisms that are ... generally true. Beyond that there isn't much here. No original insights and nothing eye opening. It may be useful if you've never read anything on technical leadership before, but if you have this will be disappointing.

I bought this book hoping to learn what goes on "Behind Closed Doors", but the book's title is misleading. There's nothing here that helps you to understand what goes through managers' minds before they surprise their development teams with the ridiculous things they sometimes come up with.

The narrative used to illustrate their advice is sophomoric. Six years ago there may have been some companies run like this with thirty-somethings managing a bunch of twenty-something software engineers. That isn't the way things are now, though.

Software projects need what all projects need: leadership. There's too little leadership in the software development industry and too much management. This book offers nothing when it comes to leadership.

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[W458.Ebook] Ebook Advanced Dermatologic Therapy, by Walter B. Shelley, E. Dorinda Shelley

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Advanced Dermatologic Therapy, by Walter B. Shelley, E. Dorinda Shelley

Advanced Dermatologic Therapy, by Walter B. Shelley, E. Dorinda Shelley



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Advanced Dermatologic Therapy, by Walter B. Shelley, E. Dorinda Shelley

Written for the practicing dermatologist, ADVANCED DERMATOLOGIC THERAPY II summarizes treatment options for most skin disorders encountered in the typical dermatologic practice. This thoroughly up-to-date, advanced reference offers a broad scope of current therapeutic possibilities from thousands of journal entries noted. This unique "prescriptionary" allows the reader to quickly scan and rapidly integrate advanced dermatologic therapeutics into his or her practice. It also includes special therapeutic vignettes from the authors' practice for keen insight into therapeutic decision making.

  • Sales Rank: #2297149 in Books
  • Published on: 1987-01
  • Original language: English
  • Number of items: 2
  • Binding: Hardcover
  • 606 pages

About the Author
Walter B. Shelley, MD, PhD, Department of Dermatology, Toledo, OH; E. Dorinda Shelley, MD, Department of Dermatology, Toledo, OH

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1 of 1 people found the following review helpful.
Unique & Important Book
By Ben
This is a unique and well-written book of advanced therapeutics. It is a great resource for those difficult therapeutic challenges, using a combination of anecdotal experience and thorough literature review. The authors are well-known and universally respected. Unlike many "me too" books in medicine, the style and substance of this book makes it stand out among its peers.
It is friendly and informal, and makes for easy reading. The various quotes used throughout the book beautifully accompany the text and make for a more enjoyable reading experience.

1 of 1 people found the following review helpful.
As a good friend for skin doctor
By JIN-YOUNG PARK
This book impressed on me with clinical Diary. Jounal reviews and clinical experiance of authors are a guide for new or other treatment. I always put it on the desk and sometimes read it with my patient.

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[C396.Ebook] PDF Download Drugs, Society, and Human Behavior, by Carl Hart, Charles Ksir

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Drugs, Society, and Human Behavior, by Carl Hart, Charles Ksir

Drugs, Society and Human Behavior provides the latest information on drug use and its effects on society as well as on the individual. Trusted for more than 30 years by both instructors and students, this authoritative resource examines drugs and drug use from a variety of perspectives―behavioral, pharmacological, historical, social, legal, and clinical. The 15th edition includes the very latest information and statistics and many new timely topics and issues have been added that are sure to pique students’ interest and stimulate class discussion. Accompanying the text are instructor and student resources on the Online Learning Center.

  • Sales Rank: #117854 in Books
  • Published on: 2012-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .80" w x 7.50" l, 1.60 pounds
  • Binding: Paperback
  • 496 pages

About the Author
Charles Ksir received his bachelor’s degree in Psychology from the University of Texas at Austin and his Ph.D. from Indiana University in Bloomington. Following his postdoctoral training in Neurobiology at the Worcester Foundation in Massachusetts, he began a 34-year career in teaching and research at the University of Wyoming, where he also served in a variety of administrative positions. Now a professor emeritus, he focuses his efforts on teaching and textbook writing. He has taught the psychology course Drugs and Behaviour to more than three thousand students since 1972 and has received several teaching awards.

Dr. Carl Hart is an Associate Professor in both the Departments of Psychiatry and Psychology at Columbia University and is also a Research Scientist in the Division of Substance Abuse at the New York State Psychiatric Institute. A major focus of Dr. Hart’s research is to understand the complex interactions between neurobiological and environmental factors that mediate and modulate the actions of drugs of abuse, including drug-taking behaviour and cognitive performance. Dr. Hart’s research has been supported by the National Institute on Drug Abuse for the past several years. In addition to his substantial research responsibilities, Dr. Hart teaches an undergraduate Drugs and Behaviour course and was recently awarded Columbia University’s highest teaching award.

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1 of 1 people found the following review helpful.
Nice and compact
By Stephanie Phillips
Nice and compact. Had to get this for my addiction class. The chapters are nice and detailed and helped me get my homework and required reading done. Studying this textbook helped me ace my exams. I like that this textbook is smaller and lighter than normal textbooks. I wished all textbooks were this size.

1 of 1 people found the following review helpful.
It does a good job of reviewing societal thought on drugs and different ...
By Mik
It does a good job of reviewing societal thought on drugs and different trends noticed, but it's much too dated. A newer book would probably be better suited for someone that is actually interested in this.

2 of 2 people found the following review helpful.
Fantastic Book
By ZANDRA
The book is easy to read, well written, an excellent reference source of information on basic drug addiction, societal implications, and brief history of the development of drugs and pharmaceutical manufacturing, as well as drug regulation.
Recommended; the reader has basic chemistry and human physiology knowledge.

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Minggu, 04 Maret 2012

[D226.Ebook] Free Ebook The Vampire Film: Undead Cinema (Short Cuts), by Jeffrey Weinstock

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The Vampire Film: Undead Cinema (Short Cuts), by Jeffrey Weinstock

This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges M�li�s' early cinematic experiments to Twilight and Let the Right One In, the history of vampires in cinema can be organized by a handful of governing principles that help make sense of this movie monster's remarkable fecundity. Among these principles are that the cinematic vampire is invariably about sex and the vexed human relationship with technology, and that the vampire is always an overdetermined body condensing what a culture considers other. This volume includes in-depth studies of films including Powell's A Fool There Was, Franco's Vampyros Lesbos, Cronenberg's Rabid, K�mel's Daughters of Darkness, and Merhige's Shadow of the Vampire.

  • Sales Rank: #275499 in Books
  • Published on: 2012-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .60" w x 5.80" l, .45 pounds
  • Binding: Paperback
  • 144 pages

Review

This book provides a perfect introduction to the vampire subgenre that does not completely abandon historiography whilst vouching for a more organic thematic arrangement. Essential reading for vampire cinephiles and horror aficionados alike.

(Xavier Aldana Reyes The Gothic Imagination)

The Vampire Film is certain to provide a novel, penetrating look through the layers of meaning surrounding the bloodsucking undead.

(Rue Morgue)

The Vampire Film is well written and engaging. Jeffrey Weinstock has provided both scholars and general readers with yet another useful tool with which to hunt the vampire.

(Jim Holte Journal of the Fantastic in the Arts)

This timely book on the vampire film highlights the continued attraction of the genre.

(Juliette Wood Folklore)

Review

Jeffrey Weinstock's analysis of vampire cinema is challenging, elegant and persuasive. On the basis of a large number of critical film readings, the author assesses vampire cinema's disturbing relation to sex, technology, and otherness. Vampire films, Weinstock demonstrates, simultaneously screen cultural anxieties surrounding these key themes and invert them. The well-known tropes of the lesbian vampire, the vampiric mediality of film, and the monstrous otherness of the vampire all come back from the undead to haunt the reader of this book. Ambitious in scope yet lucid in structure, Weinstock's The Vampire Film will prove an indispensable resource for vampire researchers, students and lovers alike.

(Isabella van Elferen, Utrecht University)

About the Author

Jeffrey Weinstock is professor of American literature and culture at Central Michigan University. He is the author of The Rocky Horror Picture Show (2007) and Scare Tactics: Supernatural Fiction by American Women (2008) and is an editor for The Journal of the Fantastic in the Arts.

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2 of 3 people found the following review helpful.
A good read marred by errors, typos, and contradictions
By John Colaresi
If you're looking for a comprehensive chronological history of vampire films with cast and production credits listed, this is not the book you want. This one should appeal to advanced readers who are looking for trends on this subject as you can read from Amazon's descriptions taken from the cover. Dr. Weinstock focuses on the vampire's relationship with sex, technology, science fiction, race, and other topics using examples from well known films, some I wished he spent more time on like 1983's 'The Hunger' or at least mentioned like 2009's 'Daybreakers,' and the not so famous or forgotten ones like 2001's 'The Breed' starring TV's Highlander Adrian Paul. A few years ago I found that DVD in a $3 bargain bin and didn't think much of the movie at the time so I traded it in at my favorite DVD store in Portsmouth New Hampshire. Now after reading his lengthy section here, I need to watch it again so I'll have to buy it again at a cheap price or wait to see it on TV. Although I believe the film was a commercial and critical dud, it does have its rabid fans on Amazon.

The author's analyses are thought provoking and he cites frequently from his extensive bibliography to back his arguments such as showing how in 1915's 'A Fool Was There' Theda Bara's vamp, a word derived from vampire and who used her powers of seduction to figuratively drain the blood out of her male victim, was the precursor of our famous, literal bloodsuckers of filmdom. Some of his comments are laugh provoking as he occasionally goes out on a limb by saying 1958's 'The Horror of Dracula' is the "manifestation of the 1950's 'Red Scare', the rampant and at times rabid hysteria concerning the spread of communism into Western democracies'' because "the vampire is literally a 'red' as vividly red blood splashes his coffin in the opening credits and later runs down his face." I believe this was one of the first (if not the first) vampire films shot in color so the filmmakers made good use of the color red to attract the audience's attention and to prepare them for more blood and nothing deeper. If this symbol-minded, simple-minded reasoning isn't amusing enough, try this other eyes-rolling inducer about how Dracula's coffin arrives at the "funeral home operated curiously by one 'J. Marx' ... one listing above K. Marx in the phone book." For him the "K" stands for Karl as in Karl Marx which of course is another commie connection although there are no phone books in the film to back up his theory. Nothing "curious" about that for me because Jimmy Sangster, a screenwriter for hire also known for making sure he was always paid for his work (i.e. a capitalist), was probably only interested in adapting the novel and not copy the Lugosi version. If he had communism on his mind, you would think he would have made the sign say 'K. Marx.' Ya know, sometimes a horror film is just a horror film.

Weinstock sees the first 'Blade' film as "a thinly-veiled allegory of American race relations in which vampires stand in for whites, and humans in general for racial minorities." That analysis might fly except there are vampires of every race in this film although the majority of them are white. Perhaps he didn't see them due to the film's dark photography. The author makes a similar case with the 'Underworld' series where the werewolf laborers of the vampire ruling class are equated with black slaves on a plantation and miscegenation is "the key to solving racial animosity" but still a crime punishable by death. His argument is more persuasive here. He also sees the third 'Blade' film as a veiled reaction to America's occupation of Iraq by comparing Dracula's return to "a terrorist, a monster imported by a domestic fifth column from the Middle East - from Iraq no less - who can assume any form he likes and is out to destroy the Western way of life..... Vampires are part of George Bush Jr's axis of evil." This assumption is based on how this film came out a year after our invasion of Iraq in 2003. Another amusing interpretation but again I doubt that's what the filmmakers had in mind except that Iraq was in the news and they decided that Dracula did not come originally from Transylvania but instead from the cradle of civilization, ancient Mesopotamia, now known as modern Iraq. I can hardly wait for the next vampire film featuring a US President: 'George W. Bush - Vampire Hunter' and also in 3-D like the one with Honest Abe. Ya know, sometimes a horror film is....

Debatable interpretations aside, unfortunately for a thin paperback of 144 pages there is an unbelievable amount of annoying errors, typos, and contradictionss that kept derailing my train of thought. When the first mistake, a typo of an actor's name, incredulously appeared on the second page whacking me between the eyes, I had a sinking feeling I was in for a rough ride or I should say a rough read. My intuition about an impending train wreck was realized because in addition to that page's typo of Lon Chaney Jr referred to as Lon Cheney Jr, this typo is repeated on page 11 and again on page 96. I was relieved to see his name finally spelled correctly on page 124 or so I thought until I noticed it spelled wrong again in the Index on page 140. An easy to spell, famous name in horror films misspelled four out of five times is four times too many in any book no matter its length. On page 10 Catherine Deneuve's character Miriam Blaylock in 'The Hunger' is referred to as Bleylock. On page 32 the character Marya Zaleska in 'Dracula's Daughter' is misnamed as Mayra. Speaking of Index misspellings, film historian Lotte H Eisner is referred to as Lott H Eisner although correct on Page 80 and in the Bibliography. Another well known actor, John Malkovich from 'Shadow of the Vampire,' is misspelled as Malcovich in the Index as well as on page 87. On pages 58 & 86 and in the Index the director of 'Shadow' is referred to as E. Elias Merhinge whereas his last name is correctly listed as Merhige in the book's Filmography. On page 99, Blacula is referred to as "a jeckle and Hyde figure" but the correct spelling is Jekyll with a capital J and not like in Heckle & Jeckle, the cartoon magpies. On page 131 of the Filmography, the release date for 'Captain Kronos - Vampire Hunter' is stated as 1994 instead of 1974 although correct on page 96. On page 132 'The Horror of Dracula' has its release date listed as 1985 instead of 1958 but correct on pages 21 & 93. Danish director Carl Theodor Dreyer is referred everywhere as Carl-Theodor Dreyer. Really now, this is not a dull book so I doubt the proofreader was bored to sleep after checking the first page.

As for errors, on page 96 James Mason is incorrectly identified as "the Nosferatu-esque vampire Straker" in 'Salem's Lot.' Reggie Nalder played the vampire whose name is Barlow correctly named previously on page 29 and later on page 127; Mason was his human protector Straker. On the same page (96) the author mentions how Dennis Hopper was featured in 'Planet of Blood' whereas the correct title is 'Queen of Blood' and also wrong in the Filmography. On page 111 the second film of the 'Underworld' series is referred to as 'Underworld: The Rise of the Lycans' where as the correct title is 'Underworld Evolution.' 'Lycans' is the third film in the series, chronologically the first one and both correct in the Filmography. Also in the same paragraph, we have: "He pursues Michael and Selene (Sheen and Beckinsale), but then..." Scott Speedman played Michael as Michael Sheen was correctly identified as the "werewolf slave Lucien" in the previous paragraph. I'm not surprised to find these mistakes because on the previous page 'Evolution' is misdated as 2009 instead of 2006 and 'Lycans' is misdated as 2006 instead of 2009 although both are correct in the Filmography. I'm willing to bet that anyone who worked on this book and has seen these films once would have spotted these title, date, and casting errors, and a quick visit to Wikipedia or IMDb could have eliminated any doubts.

A week after I posted this review, I watched Criterion's marvelous Blu-ray of 'Cronos' and reread the section on the film. His analysis was good but again I found more errors. On page 90 we have "in a prologue, the viewer is flatly informed that in the year 1537, an alchemist....'' whereas my wife and I flat out heard 1536 when we replayed the first few minutes of the film to verify my finding. On pages 90 and 91 Ron Perlman's character is misidentified as Dieter De la Guardia's "cousin" but further down on page 91 Dieter is referred correctly as his "uncle," thus making Perlman his nephew. I suppose a role misidentified two out of three times is better than four out of five Lon Cheney Jrs and not as bad as two out of two John Malcovichs but these kinds of mistakes and others scattered everywhere even in an inexpensive short paperback as this one are ridiculous. As if all these mistakes aren't enough, the book's final section is called "Coda: Vampirising Genre." According to two online dictionaries there is no such word as "vampirising" or even vampirizing so if anyone can explain what the hell does "Vampirising Genre" mean, please tell me because I'm clueless. Paging the Editor!

I don't understand how anyone involved in the writing and especially the publication of this book didn't spot these mistakes so let's hear their explanations. To quote my wife, "Maybe the publishing houses don't see the vampire books as 'scholarly' and don't care about researching them. Big mistake. Anything connected with history, even popular history, should be researched and documented carefully." I wonder if the university professor who wrote the back cover's glowing blurb repeated above proclaiming "this volume will prove an indispensable resource" and if the writers of the Amazon Editorial Reviews stating this book is "a perfect introduction to the vampire subgenre" and "well written" and "useful" also noticed these mistakes? Since when did "well written" mean contradicting oneself throughout the book? Since when did "useful" mean relying on misinformation as fact? And let's not get into defining "perfect" and "indispensable." That professor wasn't kidding when she says this book is "challenging" because it sure challenged me to question its accuracy starting with the second page. As for these reviewers, did all of us read the same book?? This group includes the members of the International Association for the Fantastic in the Arts who bestowed this book their 2013 Lord Ruthven Assembly Award for Best Non-Fiction Title (Was there no competition that year?) and whoever posted an ad in FILM COMMENT magazine congratulating the author for winning this award! All I know is I wouldn't want my name or my group or publication's name used to promote inaccurate and, worst of all, careless work.

It seems every time I go back to this book I find something wrong. We'll see what happens after I re-watch 'The Breed.' In support of my wife's thoughts about printing houses' dismissive attitude about vampire film books, read Jonathan Lampley's review of another book on this subject also containing errors & typos:The Vampire Film: From Nosferatu to True Blood Fourth Edition - Updated and Expanded

And you thought I was being harsh on a book? Regardless of the obvious absence of proofreaders and fact checkers for 'The Vampire Film: Undead Cinema,' this book is still a good read for fans of this film genre. Four stars for content and no stars for no editing equal a two star rating in my book. So far my review earned two out of three "helpful" votes. I don't understand why anyone would think that being warned about numerous mistakes would be unhelpful unless the voter had something to do with this book and didn't like my comments.

Postscript 8/27/13: Last night I rewatched 'The Breed' which I found in that store in Portsmouth while on vacation (Maybe it's the same disc I traded in?). It's still a so-so film but I enjoyed it better this time. The good news: Rereading this book's section about the film increased my understanding of it and there are no typos to report. The bad news: While discussing this film, on page 120 the author refers to "Clive Barker's recent vampire trilogy, 'Dracula 2000,' 'Dracula II: Ascension'(2003), and 'Dracula III: Legacy'(2005)." Huh?? Although I'm unfamiliar with these films, Wikipedia and IMDb confirmed my memory that Barker was not associated with any of them. I forgot how he referred earlier on page 94 to the first film as "Wes Craven's 'Dracula 2000'" and now as Barker's, another inconsistency and wrong on both counts. Labeling the film with names before the title as in Wes Craven's 'Dracula 2000' gives the wrong impression saying he directed it. Craven was only involved in producing the trilogy (Wiki and IMDb differ on his producer credits.) and had his well-known name listed above their titles to attract horror fans: "Wes Craven Presents..." Clearly the direction credit should be given to the lesser known Patrick Lussier who helmed all three films so it's correct to say it's Lussier's 'Dracula 2000' and not Craven's, and certainly not Barker's. And again why am I not surprised to find Lussier credited correctly as the trilogy's director in the Filmography. Naming three different directors for the same film throughout the book is an editorial mystery or more like a nightmare, the latter which makes sense as this is a book about horror films. Considering all these kinds of contradictions and other mistakes everywhere not caught by anyone, one could easily think that several people wrote separate parts of this book and didn't know what the others were doing, and that might be the reason it received an "Assembly" award as in an assembly line but without quality control inspectors, i.e. editors. I've seen less mistakes in a vanity press publication. Anyway as I said before, every time I go back to this book I find something wrong. It appears I'm the only one who gave this book close attention so if anyone spots more mistakes, please let me know.

Postscript 9/7/13: Here's proof that Wallflower, the book's publisher, doesn't proofread and fact check their books about horror films. Read Erica's review of:European Nightmares: Horror Cinema in Europe Since 1945 I ordered this book and two more of their film books before I read her review. I dread what mistakes I'll find...

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Essential reading
By Lucy's Mom
Anyone who is interested in vampire films should read Jeffrey Weinstock's intelligent and well written analysis. Something new to ponder on every page.

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